“I feel like part of the reason I met them was because I was such a big fan,” she says, “and people knew I’d want to be introduced to them.” And now that she has their support, she smiles wide when talking about it. Adams has even gone as far as describing Bridgers as a “musical unicorn” and comparing her to Bob Dylan.
Adams produced her three-song “Killer” single, released in 2015, while Oberst pops up to duet “Would You Rather” on Alps. In conversation, she drops casually drops anecdotes featuring Julien Baker, Ryan Adams, and Conor Oberst. This willingness to approach her heroes has extended into adulthood, and has become a useful skill. “I was by no means forced into some pop studio, but if someone whose music I admired was standing close, she’d be like, ‘Go get a picture.’ But it would be the weirdest people ever, like Richard Thompson.” “She was a weird brand of momager,” Bridgers recalls. She grew up in nearby Pasadena, with her bluegrass and folk music-loving mother happy to push her towards this passion. You don’t have to italicize the subtext.”īridgers interest in music goes back as far as she can remember. It doesn’t make sense, though, why it’s as sad as it is. Elliott Smith’s ‘Condor Ave’ or ‘2:45 AM’ are pretty sad because Smith is talking about being lonely in the middle of the night. “Why, when you place these two details next to each other, is it sad? It’s something about the weird connections people make from phrase to phrase, where you’re not totally sure why they made that choice, but something about it is heartbreaking. “My favorite music, like ‘You Missed My Heart’ by Mark Kozelek, has this quality about it that doesn’t quite make sense,” she says. But mostly, the album studies the mechanisms of what makes a sad song the forms may change-“Motion Sickness” is breezy, mid-tempo pop-rock while “Funeral” uses spare, acoustic songwriting to put her depression in context-but the perspective remains sharp, detailed, and insightful. On “Smoke Signals,” she drives fast because “fuck the cops,” and on “Motion Sickness,” she is given $1,500 to see a hypnotherapist, but only winds up going once.
#Phoebe bridgers motion sickness lyrics meaning serial#
The phrase is taken from the now-infamous way the edited-for-TV version of The Big Lebowski changes Walter Sobchak’s line, “Do you see what happens when you fuck a stranger in the ass” to “Do you see what happens when you find a stranger in the Alps?” Bits of Bridger’s wry humor seep into the songwriting, too, bringing moments of levity to lyrics about heartache, depression, and even serial killers. You wouldn’t think Stranger in the Alps was a somber record if you judged it only by its title. “Sometimes I want to cop out and say it’s about a lot of different things, but really it’s all there. “I guess ‘Scott Street’ is about being really lonely,” she reflects. When we finally find it and get out to walk through the quiet row of homes, purple jacarandas flowers stick to our shoes. “I’m directionally challenged,” she confesses before realizing that the street is actually called “Scott Avenue,” which explains why GPS isn’t able to help us.
But when we leave Bedrock to look for it, it’s nowhere to be found. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackīedrock is supposedly just a couple blocks from the street that provides Bridgers with one of her song titles, “Scott Street.” It’s a quaint residential stretch that the song’s subject, Marshall, travelled to make a daily pilgrimage to buy cigarettes.
0 kommentar(er)
